The English Department welcomes you to “Writing Race: Faulkner and his Progeny,” and I look forward to meeting you via Zoom on the first Wednesday of the month.
“The past is never dead,” Faulkner famously said. “It is not even past.” In our time of racial turmoil, few High Modernist writers feel more contemporary. Faulkner managed to construct in Yoknapatawpha County a second reality where the country’s racial present and past are enacted and re-enacted in painful and often brutal detail. His intricate portrait of a land bound together and ripped apart by the fallen inheritance of race has never seemed more startlingly present. We will explore this foundational American writer, seeking to understand what makes his work so vibrant, then consider his influence on Flannery O’Connor.
October 6th at 6 p.m.
- In “That Evening Sun,” whose point of view are we seeing through and why is this important? How does it both limit and deepen the reader’s understanding?
- In “Dry September,” what role does Hawk the barber play in the proceedings and what is he doing in the story? Is he right to cast doubt on what actually took place?
- In “Red Leaves,” what does the title mean? What is Faulkner telling us about declining and rising cultures?
- William Faulkner, The Unvanquished
November 3rd at 6 p.m.
December 1st at 6 p.m.